Fuck you, I'm not watching Solo.
I'm not watching Solo cause it's the most unnecessary (so far) of Disney's Star Wars films. So instead I watched the sci fi thriller Upgrade. Now I'm even more mad at Solo, because with it being such a big draw (plus Infinity War and Deadpool 2 still being in theaters) absolutely no one is going to watch Upgrade except for ultra cynical douches like me, and that's just tragic.
So from the trailer and basic premise
you might be pretty underwhelmed by Upgrade. A motorhead who likes
working with his hands on restoring old cars in the future where
hands off technology has made him more and more obsolete gets into an
accident with his wife after their self driving car malfunctions and
leaves them stranded in a shitty part of town. Next thing you know, a
gang of thugs shows up, kills his wife, and leaves him a
quadriplegic. Not much left to do but attach a super smart A.I. To
your brain called STEM (oh nooow I get it) and go after the men who
killed your wife, I suppose.
It all sounds pretty brainless, but
surprisingly it all works exceptionally well. With the tools he's
been given, Leigh Whannell has delivered a very smart, brutal, if
kinda routine, sci fi thriller. Basically what Upgrade is good at is
setting, fight scenes, and world building. What it's bad at is...
everything else.
Story wise, the plot moves at a pretty
brisk pace. Our main character, Grey Trace, gets outfitted with the
A.I. STEM, who gives him what amounts to super human expansion of his
senses and muscles and guides Grey through his journey, pointing out
clues and what not. There's breathing room here and there as Grey
finds his next target while lying to a detective working on his case
about still being confined to a wheelchair. It's pretty standard
stuff as the movie goes from location to location, person's house to
seedy bar to apartment complex, gathering clues and picking off bad
guys until the true villain behind it all is revealed and we have our
final showdown. What keeps this from being pure schlock is the
execution of it all. As we follow Grey, little bits of info about his
world start to open up. There's a whole subset of people with bionic
implants who think they're above normal people ('upgraded' they call
themselves), police work now takes the form of analyzing drone
footage, synthetic limbs are now more accessible than ever, and
underground hackers fight against the aforementioned 'upgraded'. One
of my favorite aspects of this film is the theme of technology
overwhelming humans. When Grey has STEM installed, his arms and legs
return to him, but with the stiffness in movement you'd see in a
video game, where the limbs are being feed through the cold 1's and
0's of a machine's brain. A problem that persists as Grey
occasionally lets STEM have full control.
Where all that stuff falls apart is the
fact that the movie doesn't really want to get deeper into these
concepts other than “oh yeah they exist”. The hacker I mentioned
earlier shows up for one scene, says the phrase “I have to fight
THEM (referring to the 'upgraded')” then leaves, never to show up
or be mentioned again. Plot holes mount up fast as STEM's ability to
control Grey as well as his awareness of the situation are called
into question. Characters know information at ultra convenient times,
characters don't look at the information in front of them and come to
very obvious conclusions, and characters simply don't know things
that the audience knew 20 minutes ago. “Wow Eric, this movie is
really starting to sound like a cluster fuck” I hear you say, and
yes, it is kind of a mess, but the thing is... it all kinda works.
Not a single moment is too dumb or distracting to make the movie an
incomprehensible mess, and the movie takes itself just seriously
enough to brush off some of the more harsher plot holes with a smile
and a “don't worry about it”.
Like I said before, execution counts
for a lot. As a whole, the plot may be messy, but moment to moment
performances and fight scenes are good enough to overlook a lot of
it. The fight scenes are brutal as hell, as when Grey lets STEM have
full control, he's able to pull of some pretty ridiculous fight
choreography. Coupled with some unnerving camera angles and Grey's
stiff robotic movements create this wonderful disconnect where the
person onscreen becomes much less human to achieve his very human
goal. Sprinkle on some nice body horror and gore and you basically
have a B-Movie version of a Black Mirror episode.
Upgrade is far from a perfect movie,
but it's most definitely an entertaining one. I feel with tweaks to
the script (or maybe an extended edition when it hits home video) it
could have stood next to Robocop as one of the great dark sci fi
satire films, but as it stands, its a fun high budget B-Movie.
7/10
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